clishmaclaver Outer Space

vasawp:

Kiana Hayeri grew up in Tehran, where the country’s morality police restricted her public behavior. She left in 2005 when she was 17 and moved to Toronto, where she studied photography at Ryerson University.

Her project’s title, “Your Veil Is A Battleground,” refers not just to the hijab covering — or not covering — their heads in public, which is law under the islamic republic, but also to the hidden nature of their private lives. It goes beyond the restrictions placed on women in public or their private rebellion. Ms. Hayeri also explores how the women choose to present themselves in public.

“It’s a whole world that many Americans are unaware of,” she said. “Nowadays, with all this talk about war, sanctions and nuclear weapons, people tend to forget about ordinary people, the actual people who live in Iran, and they only look at the government.”

“This is the generation that is trying to push the boundaries in every sense.”

(via sebri-deactivated20130211)

fireghostshigher:

A quick PSA, because working in a New Age store I realize a lot of people don’t know this.  Keep in mind this is the simple version.

The fella on the left-hand side, that’s Gautama Buddha, the Buddha, the central figure in Buddhism.  Note that he is not considered a god, but a teacher and spiritual leader, the first to attain Enlightenment in his era.  Note also how thin he is.  This is because the Buddha fasted a lot.  He was born Siddhartha Gautama.  Buddha is a title, and not actually his name.

The fella on the right-hand side is not Buddha.  This is a common misconception in the West.  That is Hotai (or Budai or Hotei depending on the language), a Buddhist monk from China and folkloric hero.  Hotai is thought by many to be a Buddha, but he is not the Buddha.  Unlike Buddha, Hotai actually is revered as a god in Chinese folklore, although not in Buddhist practice.

This post is based on things I’ve been taught by my Buddhist coworker but if I forgot or mixed up something important and you are Buddhist and you notice, please let me know.

This has been an informational post.  Have a nice day.

(Source: internetbooashouting, via raatri-deactivated20130425)

cocoa-shine:

National Geographic’s “Afghan girl” - For 17 years photographer Steve McCurry has tried to once again find the subject of his famous 1984 photo. Now he has. Meet the “Afghan girl” in the April 2002 issue to National Geographic magazine.

(via asphyxiations)

artandsciencejournal:

Peter Carrington

Peter Carrington, an illustrator from Manchester, makes artworks about  science, natural history and his struggle to gain knowledge. As Carrington states, 

“I’ve always had an interest in science and nature, and during my studies I decided to combine this with my practice. Through deeper research into different scientific areas it quickly became apparent that, due to having dyslexia, I was never going to get a grip of the topics to make work that wasn’t shallow and ill-informed. I became frustrated that I wouldn’t be able to use the visual language of the sciences that I had become obsessed with. It was at this point that this frustration became the forefront of the work and the drawings became a portrait of me and my struggle with dyslexia. I began using the visuals of science and natural history journals to create seemingly scientific illustrations.”

Carrington’s work harkens back to the history of biology and botany, where drawing and labels were the key to all knowledge, then he adds his own bit of mystical influence. Now Carrington is focusing on the human need for order. Through labels and numbers he demonstrates our need to categorize. To see more of his work, click here

- Lee Jones

(via fortunesfools)

Emma Kisiel holds a bachelor of fine arts with an emphasis in photography from the University of Colorado Denver. “At Rest” is a photographic series depicting roadkill on American highways and addressing our human fear of confronting death and viewing the dead. Kisiel’s images draw attention to the fact that, while man has a vast impact on animal and natural life, dominant American religions insist that animals do not have a place in Heaven and are, therefore, of little value in our society. To cause the viewer to feel struck by this truth, Kisiel photographs memorials she builds surrounding roadkill at the location at which its life was taken. “At Rest” expresses the sacredness to the bodies of animals accidentally hit by vehicles while crossing the road.

(via calloway)

Chris Cobb - There is Nothing Wrong in this Whole World (2004), 20,000-book color spectrum

(Source: likeafieldmouse, via sebri-deactivated20130211)

ACLU Study: Divided classes promote stereotypes

A new report from the ACLU confirms what feminists have long suspected: Single-sex classrooms don’t help kids learn.

We are Clishmaclaver, a group of people from all over the world coming together to share ideas on this blog.